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Having apprenticed in a high-end jewelry restoration house in his native Australia, Griffiths became fluent in the language of gold and precious metals as a teenager. “The more you learn about what can be done with gold to shape and form it, the easier it is to use your imagination to design with it and create beautiful jewels,” he reflects. His masterful grasp of gold’s unique characteristics and deep understanding of its myriad technical and artistic potentials distinguish Griffiths from mere jewelry designers, and many jewelers, for that matter.
Situated in a sunlit studio on a lovely stretch of New York’s Fifth Avenue, Griffiths dreams up collections that are influenced by adornments from Regency and Edwardian eras as well as Moorish aesthetics and masterpieces from Roman and Greek antiquity.
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